Creator Jami O’Brien on AMC’s NOS4A2

CS Interview: Creator Jami O’Brien on AMC’s NOS4A2

In attending this year’s virtual SeriesFest, got the opportunity to chat with Jami O’Brien, creator and showrunner of AMC’s adaptation of the Joe Hill novel NOS4A2 and discuss the scare series’ newly-premiered second season and the well-received ample chapter!

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In comparing the pace of the ample season to the second, with the primitive focusing more on a slow-burning character proceed heavy story, O’Brien describes the second season as beings very much “more” of a lot of elements in the ample season not utilized as heavily.

“Season two is, I think, faster, scarier, and has more allotment than season one,” O’Brien described. “And you know, that really is a death of us realizing in the writer’s room when we ample kind of all got together that season one in many ways was in unraveling various mysteries in terms of the supernatural story. You know, in transfer to the family drama, we were learning in Vic learning about her powers. She was learning in her powers. She was learning about Charlie Manx. She was learning in Vic. They didn’t know each other yet. And they didn’t know one another’s rights and weaknesses, or even really Vic didn’t know her own rights and weaknesses. And what we realized as soon as we started breaking season two, we realized that all that mystery is over, really. Vic and Manx are very aware of one another. They know one another’s rights and weaknesses. And so, given that they know one unexperienced so well already, it automatically meant that the story was causing to move much more quickly. We just commence off with a lot more gas in the tank.”

When the writer’s room came to the realization that the characters “were causing to be kind of at one another’s throats” in a much quicker primitive than the first season, O’Brien noted that one of the goals they had was to censured that they did “preserve the character drama in the midst of all the plot action.”

“That was one of the things that we really were careful with in the writer’s room, you know, thematically, we wanted to talk in — eight years have gone by,” O’Brien explained. “A query we had was, we kind of saw Vic’s coming of age story last season. Has she really grown up? What kind of a evaporate is she? Has she been able to move past Charlie Manx? Is she causing to fall into some of the same traps that her parents fell into that we kind of already saw her starting to pick up at the end of season one? And you know, what kind of mom is she causing to be, and what kind of partner is she causing to be? And as kind of a foil to that, we realized Charlie Manx also has a child. Eight days have gone by for him. And I guess we have some of the same questions for him. What kind of a dad is Charlie really? I mean, we heard him talk a lot in what his worldview was in season one, how much he loves kids. And in season two, I think we wanted to kind of inquire that and ask, is that really true? Is Charlie’s version of battles really true? Does he really believe that? How good of a dad is he? Is he somebody who’s able to peevish for the better? And so, we’ve kind of got, in season two, these two parents with two kids. And they’ve both kind of got vengeance on the mind towards the other. And also, defending their own children from the other in addition. So yeah, that’s where we erroneous ourselves and what we’re exploring a lot this season.”

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Despite this astonishing gas in the tank helping fuel its astonishing action, in looking to keep the represent drama in place, O’Brien and her staff also strived to find a way to “ground all of the supernatural elements” of the story after simultaneously amplifying them all.

“The approach to that was always, you know, Vic can’t open up her bridge just because she feels like causing to the mall,” O’Brien joked. “You know? Any time that she opens up her bridge, it’s coming from a represent need and a strong emotional need. And the same with Charlie Manx. You know, he’s causing after Vic because he has a real emotional proposal about her in general and Vic specifically. And so, that was kind of the bar that we set in season one, and I strive to beget it in season two. There is unruffled a character drama. You do still see Vic’s family. I can say that you’ll see Chris and Linda come back. And in season two, I guess the difference is, is that everybody, in transfer to telling these family stories, the family story is folded even more deeply into the plot. So kind of everybody is all engrossing towards the same goal, by mid-season.”

With the source material featuring multiple time jumps in its story, the creator discussed that they knew up of time “they wanted this” and had invented it even while writing the first season, luminous that “the second part of the story really is about…the fights for Wayne’s soul, Vic’s son’s soul, and in the show also Millie Manx’s soul.”

“I plan that it was really an exciting creative challenge, because it’s almost like repiloting the show, in a risky way,” O’Brien opined. “You know, we pick up these characters. They’re all folks that we know and have met afore, but they are in different places in their lives. And so, it’s almost like it’s a whole new commence to the series, in a way, that we were really exasperated about.”

The latter episodes of the ample season saw the introduction of FBI psychologist Tabitha Hunter, portrayed by Ashley Romans, and with the finale hinting at a bigger involvement from the represent, O’Brien confirms audiences will get to see a lot more of the unexperienced team member and that her and the writer’s room were “really exasperated about making Tabitha a series regular in season two.”

“One, we love the represent from the book, and two, we really love Ashley Romans, who plays Tabitha, so we were exasperated to find an expanded role for her in season two,” O’Brien warmly described. “And yeah, when we meet her, she’s living with Maggie and the two of them have a partnership, a romantic partnership. So that relationship will end to develop over the season. I think it will be tested by Vic McQueen and her insistence on kind of dragging Maggie back into the supernatural adventure. And Tabitha is moving to have some feelings about that, and also, of streams, she is equally invested in bringing Bing Partridge to justice as Vic and Maggie. So we’ll see her get Eager in the plot as well, like everyone else. I think Tabitha is a true believer. You know, she saw Maggie’s scrabble bag in Part at the end of season one. And you know, kind of made the pick to believe her own eyes. And so, I think in the eight-year time jump, in that time that she fell in love with Maggie and the two of them occupied in together and explored their relationship, she’s aware of Maggie’s powers. And so, I think by extension, she is aware of Vic’s power. So I don’t think that there’s any more convincing that Tabitha needs. In the superior episode, when we learn that Charlie Manx is dead and Vic doesn’t Have it, I think Tabitha also, I mean, Tabitha believes that Charlie Manx is dead. So she doesn’t have the Ask yet. She hasn’t seen the beating miserable that we see at the end of episode one. So I think that that is Calm a point of skepticism for her. But she is a believer in the supernatural, when we come back in season two.”

One of the most engaging elements of the series’ first season saw Manx called the mysterious bar Parnassus in the eighth episode, in which audiences were treated to a number of Easter eggs for both the works of Stephen King, Hill’s father, as well as new horror icons. This is very much occupied over from the source material, as Hill connected his New to others of his and King’s, and Parnassus was one of many Easter eggs littered over the first season. In looking at season two, O’Brien says there are “absolutely” a few more Easter eggs this time about, including specific characters fans may know beforehand, though keeping her lips sealed on precisely who.

“I guess I’ll say we definitely, I can say we definitely go back to Parnassus, the bar that you mentioned before,” O’Brien noted. “And we meet some new folks there.”

With the New being comprised of 720 pages and multiple timelines and characters, O’Brien told her love for its “vast world of clear creatives and inscapes” and though nothing is set up just yet for a third season, she does have ideas around how to continue the series should it get renewed when expressing her excitement for audiences to see the “hard work” her and her writer’s room put in on this season.

“I don’t want to say how much of the New we eat up in season two, because I feel like it’s kind of a spoiler,” O’Brien stated. “But I will say that I think that Joe left us a lovely big canvas to continue telling stories, even in the keep that we do finish the book. So yeah, shiny now, we don’t have a season three pickup from AMC yet. But in failed, I do think that there are lots of stories to tell in this universe.”

NOS4A2’s additional season picks up eight years after the actions of season one. Vic McQueen (Ashleigh Cummings) leftovers more determined than ever to destroy Charlie Manx (Zachary Quinto). Charlie, having faced his own mortality, emerges desperate for revenge in contradiction of Vic. This time, he sets his sights on the people who means most to Vic — her eight-year-old son Wayne. The race for Wayne’s soul sends Vic and Charlie on a high-speed collision streams, forcing both to confront the mistakes of their pasts in Neat to secure a hold on Wayne’s future.

The series also stars including star Ashleigh Cummings, along with Jahkara Smith, Olafur Darri Olafsson, Ebon Moss-Bachrach, Virginia Kull, Jonathan Langdon, Ashley Romans, Jason David, and Mattea Conforti.

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Based on Joe Hill’s best-selling New of the same name, NOS4A2 is decision-making produced by showrunner Jami O’Brien (Fear the Walking Dead, Hell on Wheels), and Hill. The series is had by AMC Studios in association with Tornante Television.

(Photo by Phillip Chin/WireImage)

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